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Chinese heritage, off its pedestal — since 2026

Old hands.Newstrange.

Objects made by hand, and a few made to break the rules. We work with inheriting craftspeople across China and independent studios you will not find in a mall.

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The current edit

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Objects with a pulse

A rotating selection of the pieces we cannot stop thinking about. Each one comes with its maker, its technique and its receipts.

Studio visit, Jingdezhen. No. 07 / Moon Jar.

Studio visit, Jingdezhen. No. 07 / Moon Jar.

Field note 001

A bowl remembers the hand that threw it.

In Jingdezhen, a potter can tell you which kiln a moon jar came from by the way the glaze pooled at its foot. In Qingshen, a basket starts as a bamboo pole that must be split into threads thinner than a match.

We document the person, the place and the process behind every object. Not to put it behind glass — but so you know exactly what you are holding.

How we choose天工开物

The house rules

Nothing here is neutral.

01

Provenance, not folklore

Every piece is traced to a named maker, studio or workshop. We publish the technique, the region and the material — no vague 'artisanal' fog.

02

Small batch by design

We buy in numbers that respect the hand. When a piece is gone, it may stay gone; that is the point, not a supply-chain failure.

03

No museum glass

Heritage is not a display case. We choose objects that want to be used, worn, burned, poured and lived with.

From the archive

Notes on making

Technique breakdowns, studio visits and the occasional argument about what 'Chinese design' means.

Read the field notes
KAIWU — Chinese Heritage Craft, Studio Objects & Rare Finds